魔鬼的陷阱

法兰提塞·维拉席

Vítezslav Vejrazka 米罗斯拉夫·马哈切克 Cestmír Randa Vít Olmer Karla Chadimová Vlastimil Hasek Frantisek Kovárík 雅罗斯拉夫·毛奇卡 约瑟夫·赫利诺马兹 贝德里奇·卡兰 Jirí Belohoubek Jirina Bílá Monika Indingerová Ladislav Kazda Milan Kindl 伊里·弗斯塔拉

剧情片 剧情

其它

其它

1962

2022-04-24

《魔鬼的陷阱》是一部优质剧情片影片，提供高清无广告版在线播放，快速加载不卡顿。由法兰提塞·维拉席执导，Vítezslav Vejrazka出演，已收录至安盾影音正版播放渠道。

In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I wou

魔鬼 陷阱